December 5, 2004
Teres Platter upgrade.
The difference in weight between the solid acrylic platter and the "lead & acrylic" platter is 12 lbs. The standard platter weighs in at 15 lbs. Mill the 12 holes, carefully meter in the required amount of #9 lead shot, seal the hole by threading in solid brass plugs and you get the lead shot platter that weighs in at 27 lbs. Pretty hefty There are twelve chambers, spaced equally about the perimeter, that are filled with #9 lead shot. According to the Teres website, each chamber contains the same weight value of lead shot to within +- 1 gram. This, presumably, is so that a balance nightmare doesn't ensue. And none did according to my ears. The benefit to all this lead shot and brass weight........? Increased inertia.....which means a more constant rate of rotation compared to the standard platter. The lead shot within the chambers is loose so that it may react to resonance within the platter by resonating itself. The effect is that of a resonant energy drain. Vibes go in, resonating the lead shot until there is no more energy left to cause resonance. The spurious energy is fully consumed and dies. We get a less resonant platter..........and one that spins at a more constant rate. A goal for all turntables, constant rotational speed.
December 3, 2004.
Prior to the upgrade. The now discontinued all acrylic Teres model 135 which I purchased in kit form in 2002. Teres has stopped selling their acrylic base models in favor of various hardwoods. On the other hand, the acrylic platter continues to be a mainstay over at Teres. Personally, I like the look of polished acrylic.
After the upgrade. In the Teres model line up you add ten points to the model number when the lead&Acrylic platter is used. This might be the only Teres model 145 in existence. The lead shot acrylic platter on a plain solid acrylic base. Nothing plain about it in my eyes.
Teres offers a trade-in upgrade policy for its customers. I chose to take advantage of this and trade-in my solid acrylic platter (15 lbs) for the lead shot loaded acrylic platter (27 lbs). The Teres website refers to this platter as the "Lead&Acrylic" platter. The cost to me was my old platter/bearing and $500 plus shipping ($25 UPS Colorado to Washington State) I also have to pay shipping charges when returning my old platter and bearing within the same shipping carton back to Teres in Colorado.
The platter comes in a plain white 'sturdy enough' corrugated paper box with the "Teres Audio" label that lets you know your goodies have arrived.
The contents of the plain white box are well insulated from shock and rough handling by way of custom fitted foam inserts. The parts won't move around in there and are well cushioned from accidental impact. Supplied with the new platter is another new platter bearing assembly kit, including a hypo filled with the preferred lubrication. Chris, at Teres supplies new bearings with each platter upgrade in order to match fit each platter and bearing together. Making sure the fit of the platter over the top of the bearing shaft is within a very precise tolerance.
With second foam layer removed.
This photo does not do this platter justice. Upon opening the box and removing the upper foam protective packing I was greeted with this glistening bit of eye candy. This example in front of me is really something to behold up close and in person. The machine work appears flawless and the polishing work is very well done making this piece look like a work of glass art.
Bottom view of the platter up on the kitchen table. This view reveals the threaded brass retaining plugs that secure the lead shot into their chambers. matching threads in each shot chamber allow the plug to screw into the acrylic platter, containing the shot securely. An internal hex machined into the back face of the plug allows the use of a hex key to drive it.
Here is a long view showing the new platter and the base it will be spinning upon...... quite shortly. I couldn't wait to install the new bearing, which is a time-consuming process so I , very gingerly, fit the new platter over the old bearing register testing for quality of fit. It slipped over with about the same snugness of "slip fit" that the old platter had. Good match, I thought.
The platter appeared to fit exactly to my base as had the previous one. Given this news, I chose to re-position the Teres back up on its granite base steel framed wall rack then do the following:
Ten minutes later I'm spinning vinyl and reveling in the "new music" I now hear. More about the sonic qualities of this upgrade later. Suffice it to say that I was convinced of the value of this upgrade after spinning only a few LPs. Tomorrow I will install the new bearing, I told myself.
December 4, 2004 (Saturday)
It is now tomorrow. Time to fit the new bearing. But first I should back up. The UPS driver had delivered the package at my doorstep from Teres on Thursday Dec. 2nd. After looking over the pieces in this kit I thought it might be interesting to check a few things out. In my work day life I am a mechanical inspector. This means I measure machined aircraft parts to check for dimensional integrity among other details that control the manufacturing process. I thought it might be interesting to determine the actual running clearance between the spinning shaft and the bushing that holds it.
To begin with I tried to identify the method of finish on each piece. By visual it appears that the bushing bore is honed to size. This is identifiable by the tell-tale cross-hatch marks left within the bore by the honing procedure. The shaft outside diameter appears to be lathe turned at a very fine feed rate and then hand polished using progressively finer grits of hand held abrasive media. Perhaps the final finishing touch was applied with either crocus cloth or maybe a stick of cratex. (fine cut rubberized abrasive)
When at work I used a very accurate device called an "air gage" to determine the inside diameters of the bushing bores. The air gage is manufactured by Federal and uses a cylindrical plug with air jets. A regulated supply of air pressure is fed into the plug. The plugs come pre-sized to a specific range. In this case the plug used could measure .7485 to .7515 inches. With the plug fitted down within the bushing bores air pressure feedback determines the gap distance between plug surfaces and the bore surfaces it is within. A highly accurate ( resolution to less than 50 millionths of an inch (0.00005) ) reading shows up on a traditional needle and dial face. For the OD piece I used a good quality Mitutoyo electronic digital micrometer to measure the shaft OD.
The diameter measurements indicate a running clearance at the upper bushing of .0002 inches (per side) and .0005 inches (per side) at the lower bush. These figures also reveal what I take to be an interesting technique. The shaft has .0008 inches of taper reading smaller at the bottom. I take this to be intentional in order to facilitate installation of the shaft into the bushing. Keeping in mind that these are very, very tight running clearances. If there were a uniform .0002 (per side) clearance straight up, it would be much more difficult to install the shaft to the bushing by hand. As is, the shaft will (with care) easily slip into the bushing bore when both are clean and dry. This was tried lightly and only once as concern about leaving intrusive marks on either part is paramount.
Surface roughness on the running fit diameters was measured both to the bushing bores and the shaft OD using a Taylor Hobson Profilometer. A device that determines how smooth ( roughness, actually) surfaces on machined parts are by dragging a diamond stylus across the part for a measured distance. The stylus is attached to a cantilever, much like a phono cartridge and of similar size. The movement of the cantilever generates an electric signal that is read by the circuitry within the instrument to determine the depths and heights of crests and valleys of the surface on a microscopic level.
Note: Form check. Roundness checked very good on both of these pieces with no discernable reading variation using the micrometer and less than 50millionths using the air gage.
So much for brief interludes. Onward with the bearing installation.
I should point out that care should be given that the bearing housing shoulders up square and flat against its mating surface to the turntable base. Look for interference of fit between the fillet radius at the bearing housing and perhaps a sharp corner at the hole in the turntable base where the housing must fit through. If there is a sharp corner at the base and a somewhat large-ish fillet radius at the housing, the sharp corner of the base might make first contact into the fillet radius and thus prevent the bearing housing from fitting flatly against the base. A simple test is to simply place the housing loosely upon its position within the hold in the turntable base. It should fit flatly without rocking. If this kind of "fit-interference" is seen and the housing won't sit flat to the turntable base, the fix is to create an edge break at the top of the hole in the turntable base.
The new bearing receives final torque to its retaining nut. I used a 1-1/2 inch 12 point socket to reach within the counter-bore and drive the nut. A 1/2 inch ratchet handle with adapter (1/2 to 3/4) was used to drive the large socket. Care was given not to "over torque" this retaining nut. The goal was "just enough" torque to seat the bearing permanently to the base. Thought is given to seasonal changes and possible material expansion/contraction. Care is given to ensure that the clear acrylic is not marred by the nut or drive socket during this process. Approximately 10 ft. pounds of force was used. No washers were used between base and nut.
Experience with this particular Teres has taught me the value of using the bearing ground strap. This time, I know I want it connected. So I do.
Final cleaning of the pieces before assembly. Soft cotton wadding is stuck to the end of a pencil by way of tape loop. The cotton is soaked in alcohol before swabbing out the interior of the bushing housing. This is much like cleaning a gun barrel. The process is repeated until.........
......until you can swab out the interior of the bushing bores and not get the cotton dirty any more.
Here's a look inside the cleaned Teres bearing housing. My upstairs flat may not be a "NASA clean room" but this bearing housing interior is darn well clean..!
The brass thrust plate and brass ball. Note the white disc fitted to a counter bore within the thrust plate. That's a little pad of Delrin for the ball to spin against. According to Chris Brady, this is the current thrust plate design and has improved wear characteristics over previous thrust plates. He also states that there are some small sonic improvements to be had with these parts. The old bearing in my 2002 model used a teflon coated brass thrust plate and steel ball.
All pieces of the bearing assembly have been cleaned and are now ready to assemble. Just looking at the burnished finish on the spindle shaft, it is easy to believe the 6 micro-inch reading taken with the profilometer.
The Teres owners manual is referred to prior to installing the lube.
This photo shows the platter already up on the bearing but the bearing hasn't seated against the thrust plate yet. Something like 1/2 inch to go downward. The bearing drop process works as follows;
Once the platter was fully home and while the indicator was still set up, I checked the top face of the platter for vertical run-out. My reading was slightly less than .002 inches total indicator reading. Call it .0017 inches. This is better than my previous platter/bearing which measured .003 inches of TIR using the same test procedure.
Checking the gap. Just over 1/8 inch of gap between platter bottom face and top of the turntable base. More like .140 inches. Same as the old platter.
Not wasting any time, the tonearm was installed to the arm-board and quickly checked for overhang adjustment using this Clearaudio protractor. With the trammel indicating a pivot to spindle distance of 220.5 mm, good overhang and zenith alignment was seen.
Another view shows the overhang to be spot on.
Tonearm geometry did not change during this procedure. I'm sure VTA has changed but that adjustment is to be tuned in by ear over time in the coming days. All necessary adjustments will follow.
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